Mike Allen has written, edited, or co-edited thirty-nine books, among them his latest horror collection, Slow Burn. His first two volumes of horror tales, Unseaming and Aftermath of an Industrial Accident, were finalists for the Shirley Jackson Award for Best Story Collection, and his dark fable "The Button Bin" was a nominee for the Nebula Award for Best Short Story. As an editor and publisher, he has twice been a finalist for the World Fantasy Award. Ruadán Books intends to publish Mike's sidearms, sorcery, and zombies sequence The Black Fire Concerto and The Ghoulmaker's Aria in 2025 and 2026, respectively. With his wife, Anita, he runs Mythic Delirium Books, based in Roanoke, Virginia. Their cat Pandora assists.

C. S. E. Cooney (she/her) is a two-time World Fantasy Award-winning author: for novel Saint Death's Daughter, and collection Bone Swans: Stories. Other work includes Dark Breakers, and Desdemona and the Deep. Forthcoming in 2025 is Saint Death's Herald, second in the Saint Death Series. As a voice actor, Cooney has narrated over 120 audiobooks, and short fiction for podcasts like Uncanny Magazine, Beneath Ceaseless Skies, Tales to Terrify, and Podcastle. In March 2023, she produced her collaborative sci-fi musical, Ballads from a Distant Star, at New York City's Arts on Site. (Find her music at Bandcamp under Brimstone Rhine.) Forthcoming from Outland Entertainment is the GM-less TTRPG Negocios Infernales ("the Spanish Inquisition… INTERRUPTED by aliens!"), co-designed with her husband, writer and game-designer Carlos Hernandez. Find her website and Substack newsetter via her Linktree or try "csecooney" on various social media platforms.

Amanda J. McGee is a planner by day and a writer by night. Her work includes the dark epic fantasy series The Creation Saga, poetry in Artemis Journal XXX and the Poetry in Place Project funded by the City of Roanoke in April of 2023, the horror novella "Viridian" published in 2020 in A Sinister Quartet from Mythic Delirium, and the forthcoming novella A River Wide from Interstellar Flight Press. You can find out more on her website at http://amandajmcgee.com.

Jessica P. Wick is a writer, poet, and editor. She co-founded Goblin Fruit with Amal El-Mohtar, a quarterly e-zine of fantastical poetry, and is a passionate advocate for the reading aloud of poetry and fiction. Her poetry has been nominated for the Rhysling Award and received honorable mentions in Year's Best Fantasy and Horror anthologies. Her short fiction can be found scattered across the internet; recently, her novella "An Unkindness" appeared in Mythic Delirium's A Sinister Quartet. Jessica's experience as an editor runs the gamut, from full-length novels to short fiction, poetry collections to magazine articles, academic papers to audio works. She also reviews books for NPR.

A Sinister Quartet by Mike Allen, C.S.E. Cooney, et al.

A Sinister Quartet offers four novellas tuned to the keys of the weird, eerie, gorgeous, and gruesome. Four authors joined together to compose a book of that follows the models of Stephen King's Four Past Midnight and Joe Hill's Strange Weather, crossed with Robert Silverberg's famed anthology Legends, a variety of authors such as King and Ursula K. Le Guin contributing new stories set in celebrated realms of imagination.

Two-time Shirley Jackson Award finalist Mike Allen returns to the world of his Nebula-nominated horror tale "The Button Bin" with a tale of a city consumed by a war between flesh-stealing supernatural entities.

Two-time World Fantasy Award winner C. S. E. Cooney expands the mind-bending tales from her spectacular collection Bone Swans with a story of tyrannical oppression, torture-craving angels, and body horror — but also a story of found families and hope held out against terrifying odds.

Up-and-coming novelist Amanda J. McGee provides a startling modern spin on the grim narrative of Bluebeard, entailing gaslighting and ghosts, the dark arts and a secret far stranger than a closet full of severed heads.

Poet and editor Jessica P. Wick offers a terrifying variant on the folktale of Tam Lin, in which a princess seeks to free her brother from the nightmare courts of the Queen of Faerie.

With interior illustrations by Brett Massé and Paula Arwen Owen.

CURATOR'S NOTE

This hefty anthology assembles four novellas of dark fantasy and horror. Nebula, Shirley Jackson, and World Fantasy award finalist Allen plunges us into a hellish tale of paranoia and body horror. Two-time World Fantasy Award winner Cooney exposes us to the terrors of tyrannical angels. McGee's haunting novella provides a nerve-shattering update to the fable of "Bluebeard," while Wick's warped reimagining of the Fairy Court gives a dark spin to "Tam Lin." Selected for Locus Magazine's 2023 Recommended Reading List in the best anthology category. – Mike Allen

 

REVIEWS

  • "With fiction from C.S.E Cooney, Jessica P. Wick, Amanda J. McGee, and Mike Allen, Mythic Delirium's excellent new anthology, A Sinister Quartet, provides further evidence that long-form genre fiction is not just alive and well but thriving."

    – Locus
  • "Easily one of the best things I've read this year."

    – The Little Red Reviewer
 

BOOK PREVIEW

Excerpt

From "Viridian" by Amanda J. McGee

The fifth wife was named Mary. She was a mathematics teacher, before Ethan found her in a coffee shop on the border of New York. She kept tutoring after they married, up until the day that she died. Her books are in the library still, all theories of quadratic equations and how to calculate the circumference of a circle. Her students, of which there were two, were told she was sick. They would need to find a new tutor. Ethan sent the emails, and the students didn't question them. Maybe they were relieved. Mary had been a distant presence to them after all, someone they saw once a week to talk about something they didn't much like.

Mary's previous relationships had not been good ones. She was the kind of nice, mousey woman who attracts domineering men like flies to honey. It was easy for Ethan to be what she needed. For her, he did not dress in suits and ties. He wore nice sweaters, glasses with thick frames, and mussed his hair. Mary thought that his name was Frank, and that he fixed computers. Both of these things intrigued her. The large house in the woods, the fortune—these were just a pleasant surprise.

They were married in spring. The flowers that Mary chose were carnations. She ordered pinks and whites, but all of the flowers came red as blood. Not being superstitious, Mary ignored the blood red flowers and the way her skin pimpled when she walked down the staircase of the foyer to meet Ethan. Her elderly father was the only one in attendance from her family. His eyes were rheumy with age, and he did not see the way Mary shivered, or the secret, cruel smile Ethan hid before he shook his hand. He was only happy for his daughter, who had found happiness.

Ethan did not love Mary. There was no requirement for him to love her, though it was very necessary for her to love him. By the time that Ethan met her, he was already adept at feigning affection, and Mary fell in love quietly, the way that a leaf slips beneath the water.

There is a scar on Ethan's thumb that Mary gave him, a white crescent in the meat of his palm. The last taste in her mouth was the copper of his blood. Mary was peaceful, nurturing and gentle, but she did not die peacefully. She does not rest peacefully, at Evergreen.

From "The Comforter" by Mike Allen

Maddy unfolds the note.

She usually finds them stuck to the underside of her desk. She hasn't given much thought to how they adhere there, though when they come free she's never noticed glue or anything else that would make the odd-textured paper sticky. The precise little squares feel like suede, and the words at first glance look like they're stitched on in black thread, though on closer inspection the effect is more that of a tattoo. Maddy hasn't figured out how the optical illusion works.

This new one reads, in crude block letters:

how you and me are kin

my mom stole your mom's skin

She glances at the teacher, whose eyes are locked on his laptop screen. He is scowling, his goatee and shaggy dark hair giving him the look of a deeply offended beatnik, but that's just Mr. Newman's normal expression. He's a man with resting bitch face.

Her desk is strategically positioned, back corner nearest to the door. She quick-scans the rest of the class. Most are pondering the algebra questions displayed on their tablets with varying degrees of absorption or frustration. None are focused on her. She quick-grabs her bright pink backpack, stuffs this newest note into the outer pouch where she's stowed all the others.

She started getting them the day they came back from Christmas break. One came loose from the underside of the desk as she doodled in her algebra textbook, fluttered down to alight like a leaf on her bare leg. It read

found you

on one side and

i know where your parents are

on the other.

Others followed, not every day but sometimes several days in a row, always and only in this classroom, under this desk.

you should be me and i should be you

my mother will stitch us together

i like how you draw skulls draw one on the desk

With a fingertip Maddy traces the still-smudged outlines of the skull she sketched in pencil, someone else's attempt to erase it not quite finishing the job.

She hasn't figured out who is leaving the notes. Her class with Mr. Newman is second period, a group of supposedly-smart eighth graders. First period is Mr. Newman's free period. The third period class is a smaller group of advanced-placement seventh graders. She's tried hanging out late to spy, but so far as she can tell, no one sits in her desk. The little teacher's pets all cluster in the front. Later periods, she can't make it across the building in time to have a peek without being late for classes.

Whoever is making these, they know she shouldn't exist. She wants to meet them, and ask why she's alive.